Extract alone may not give you the flavor you seek.
Cooked sugar syrups, rather than colored malts, are sometimes used to add color to extract. While there is nothing harmful in this, some extracts lack depth of flavor. Also, the evaporation process that condenses the syrup can strip aroma.
Shop around and see which brands taste good to you and ask other brewers what they like. You can also add a pound or two of specialty malt to your brew for some fresh malty aroma and flavor. Crystal malt is perfect for this. Crush it and load it into a cloth bag, then place in the brew kettle. When the wort comes to a boil, remove the bag, then drain and squeeze it to wring out all the good stuff.
Beware of high-alpha hops.
For centuries, brewing hops were of the low-alpha type, with alpha acid (the bitter part) content ranging from 2 to 7 percent. Once it became possible to extract this bitter material and concentrate it into a cheap commodity, the race was on to find hops that would yield ever more alpha acids, as high as 16 percent in some varieties. In this race to the bottom, not much attention was paid to the subtler aspects of aroma and flavor.
There are really two different types of hop crop now: those destined for extract, and those that are valued for their high-quality flavor and aroma. Some of the high-alpha varieties—Chinook, for example—do have useful, if pungent aromas, and have even developed a cult following for their grapefruity, resiny tang, especially in American IPAs.
But in general, high-alpha hops are very assertive and not always in nice ways. Bitter as they are, they’re not always equally aromatic. It’s just not what they’ve been bred for. Using a larger amount of a low-alpha hop to get to any given bitterness level will usually contribute a lot more aroma than a smaller amount of high-alpha, and it’s usually better aroma as well.
Kit yeast is suspect.
Unless you know for sure it’s fresh, the little foil pack of yeast stuck to the top of the can of extract should be pitched directly into the trash. Dried yeast is a living thing, and sitting in a warehouse for months on end doesn’t do it any favors. If you wish to use dry yeast, buy a pack of known provenance from your retailer. Most are stamped with freshness dates. Pay attention to them.
Dry yeast should be activated properly in hot water before pitching. Heat up a half a cup or so of sterile (boiled) water, and pitch the yeast in at around 100 to 110 degrees F. Don’t add sugar or malt extract to this; the yeast has enough stored nutrients to get itself going. After it’s cooled to room temperature and is bubbling, it’s ready to pitch.
The next step up is liquid yeast. Without a doubt, this has revolutionized homebrewing, giving us access to the exact same strains that the commercial brewers of the world use. This allows you to match the strain of yeast to the beer you’re brewing, a powerful tool for controlling the flavor of your beer. Overall, the quality of liquid yeast is very high, and there are plenty of choices. Some brands require a little advance preparation, so you need to think a step ahead, but most brewers find them worth both the trouble and the expense.
Give it enough time.
It’s natural to be excited about your first brews (especially if they tasted better than my early attempts), but try not to drink them up too fast. I have heard many homebrewers say, “Man, this is really getting good. Too bad it’s the last bottle!”
Failing self-control (which I know is hard), the only solution is just to keep ’em coming. Brew enough batches so you build up a stock, then the pressure’s off.
How long is long enough? I like to give a simple beer about six weeks, including a couple in the bottle. As gravity goes up, so should the aging time. Maybe three months for an IPA, five or six for an old ale. A year is about right for a barley wine, although I’ve had 10-year-old ones that were superb. Lagers take half again as long if you’re fermenting and lagering them at appropriately cool temperatures: two months for a pilsner or similar, four months for a bock, perhaps six to eight for a doppelbock.
This short list is all my allotment of space will allow. Perhaps in the future we can move on to intermediate techniques such as wort chilling, color calculation, and the decoction mash.
Excellent Article,
and I have reposted the Link to our club page
Thank You,
Roy